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Other potential jitter creators are insufficient cable bandwidth and mismatched cable termination impedances causing signal reflections.
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That's time-shifted registration of when exactly a high-voltage one becomes a low-voltage zero. Too much rounding of a square-wave's edges equals jitter. Accurate timing of these switching voltages demands steep rise times. Likewise for digital signal transmission really being an analog process of two rapidly alternating voltage states which represent the ones and zeros. None of it would go down well with today's YouTubers so consider it mentioned in passing only. Some makers even exposed their spinning discs to blue light.
Such tweaks made the rounds during CD's heyday. That didn't yet mention treatments with squalene oil, edge paints, a Furutech destat/mag spin or 'remastering' commercial discs to recordable CD to improve the sound. Some cover the entire CD and are quite light, others far smaller yet decidedly heavier. And following the everything-matters mantra, manufacturers of top-loading transports have different views on the ideal size, material and weight of a disc stabilizer. That makes leaving a CD on the only dust cover. None of them use a slot or drawer type to require that we first place a stabilizer puck atop the CD spindle before hitting 'play'. Of the three, only the Denafrips can be set to 352.8kHz pre-DAC upsampling. … and this superceded Simon Audio Lab AIO used as top-loading Sony/Sanyo transport with coaxial output. Filling in comparative details are a discontinued Denafrips Avatar top-loading transport with Philips CDM4/19 drive… I think that painted a fair and even-handed intro for today's subject. But once everything else is shined up just so, they can still be decisive enough to trigger a clear preference. On that totem pole digital transport differences sit rather low. Even in that context speaker differences are greater than amplifier differences which are greater than DAC differences which are greater than… and so forth. What value we attach to them differs from person to person. As overall system resolution goes up and the owner's hearing keens, previously obscured or super-marginal differences can become more significant. And then there are 'audiophile' differences which to his YouTube viewers may or may not matter much if at all.
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Like John Darko puts it, there a day'n'night differences like the sound of his new Lisbon room pre/post professional Vicoustics room treatment. How much is simply for our ears and wallet to decide. Life was simple.Īs any digital audio engineer tells us today, the reality is very different. Jitter, stamper quality, error correction, brickwall filters, laser tracking servos and the lot didn't matter. Somewhere during the digital Stone Age, CD was perfect sound forever. As Jarek explained, this extends to firmware controlling a disc-spinning transport servo. Ditto up/resampling algorithms and digital volume algorithms like Leedh.
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Though everything remains in the digital domain, software controlling signal routing has an effect.
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Compare streaming through iTunes or Windows Media Player to Audirvana, HQplayer, PureMusic, Roon & Co. Even control software makes a difference. But it was also true that a CD played back over this CD transport sounded better than any file except maybe for DSD." īut there's more. Extending word depth to 24 bits as well as sample rates beyond 44.1/48kHz improved the files over their Redbook versions. As the first reviewer of today's Lektor wrote, "from the first seconds of the piano intro to Autumn In Seattle, a Tsuyoshi Yamamoto song written for Winston Ma for the eponymous album, it was immediately clear that the Ancient Audio transport presented the music differently than my Ayon transport." As for files vs physical media, " I compared the sound of CD over the Lektor and the same recordings on file both as CD quality and higher resolution. If you discount the fact that digital transports can sound different-it matters not whether they stream digital files off the cloud, retrieve them magnetically from a hard disk or optically off a CD-you've not paid sufficient attention.
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